Sex Education Should Be Taught At School - 1916 Words

Sex education can be traced back to the beginning of the 20th century. â€Å"Chicago’s public schools introduced the Nation’s first formal sex education program† which has raised controversy throughout the years. Many believe that talking about sex in the classroom raises the initiation of such behavior. Others believe that ignoring the subject keeps teens in the dark which leads them to make unsafe decisions when they become sexually active. Whether it is at school or at home, teens must be taught about the dangers of unprotected sex as well as abstinence. Being unaware of protection puts teens at risk of becoming pregnant or contracting an STD or STI. Sex education must be taught at school and it must be taught right, without lies or myths and without giving teens the idea that the only perfect time for them to become sexually active is when they are married. If sex education was taught at school instead of abstinence-only education, it would help young adults make correct decisions when becoming sexually active as well as helping them make wise choices that can affect their future. From the beginning of the 1900’s, sex education became a topic that till this day will raise controversy. As it started to be introduced in more schools, conservative groups began protesting to ban sex education. They believed children should not be taught such behavior since it was a topic that should be discussed at home; at a parent’s choice. When the 1980’s AIDS epidemic began, theseShow MoreRelatedSex Education Should Be Taught in School2204 Words   |  9 PagesSEX EDUCATION â€Å"If the Liberals law is passed, will sex education in the schools, including elementary grades, include the same portrayals of sexual activity which presently exist in heterosexual instruction? Will there be the same presentation of homosexual activity? Of course there will.†Ã‚   Stockwell Day Sex education, also known as sexuality education or sex and relationshipsRead MoreShould Sex Education Be Taught? High School?997 Words   |  4 PagesTeenagers and sex are two words that are often heard together, whether we like it or not, teenagers are having sex. Some schools don’t teach sexual education and because of that students are suffering. There’s no way to make teenagers not have sex but there is away to teach them about having safe sex, that is why I believe that we need to require sexual education be taught in high school. According to the National Conference of State Legislatures, â€Å"Only 22 states require public schools to teach sex educationRead MoreEssay about Why Sex Education Should Be Taught in Schools1494 Words   |  6 PagesWhy Sex Education Should Be Taught In Schools Most America teenagers are sexually active and think nothing could ever happen to them. But, many of them are misinformed about the risks that are involved in sex. Teens also dont always know the best ways to protect themselves and their partners from becoming pregnant or getting STDs. Alan Harris said, the more educated someone is the more likely they are to make responsible and informed choice for their behaviors. Sex education given byRead MoreSex Education in Schools657 Words   |  3 PagesSex Education in Schools Nineteen-fifty five marked the debut of sex education programs in schools in the United States. Along the years, many have argued whether or not sex education should be taught in schools. Many believe that the education of sex encourages students to engage in sexual activities which lead to a higher number of pregnancies and sexual transmitted diseases (STD’s).The U.S. is the leading country in teen pregnancies and STD’s As the number of unplanned pregnancies and sexuallyRead MoreThe Rate Of Unwanted Teenage Pregnancies And Sexually Transmitted Diseases1502 Words   |  7 Pagesincreasing. Sexual Education has become an effective way of enforcing safety precautions and informing teens about healthy sexual activity. Sexual Education is the act of educating others about intercourse, the anatomy of the human body, sexual reproduction, abstinence, and contraceptives. Elizabeth Boskey, a STD expert, believes that schools should teach sex education because of the positive e ffects it has on the students. However, Sol Gordon believes that the parents should be responsible for teachingRead MoreEssay on Sex Education in Schools1677 Words   |  7 Pagesthem for the future. Children learn from parents, schools, life experiences, what they watch and other influences around them, and it can be either positive learning or negative learning. There is one subject that is difficult to teach and have control over because of misunderstandings, lack of teaching, and publicity. Sex education has been a major debate for children under eighteen, because there are some parents that want it taught in schools and others that do not because of different reasonsRead MoreThe Ministry Of Education s Sex Education Curriculum Essay1731 Words   |  7 PagesEducation’s Sex Education Curriculum in primary schools. The Ministry of Education’s sexual Education Curriculum includes the different topics of sexual education and places them in different levels that are appropriate for the education of students in different grades and ages. A random sample was taken from St. Joseph Roman Catholic Primary School. All responses from the participants were measured according to the Sexual Education Curriculum obtained from the Ministry of Education in Belize CityRead MoreThe Best Kind of Sex Education708 Words   |  3 Pages There is much controversy over which form of sex education should be taught, comprehensive sex education, or abstinence-only sex education. The definition for comprehensive sex education is responsible and balanced sexuality education that seeks to assist young people in understanding a positive view of sexuality, provide them with information and skills about caring for their sexual health, and help them acquire skills to make decisions now and in the future. It is medically accurate and providesRead MoreEssay The Argument of Sex Education in School1227 Words   |  5 Pages Audience Analysis: I am writing to the seven chairmen of the ___ County School Board. They are a made up of a group of five men and two women. They are most likely all parents who have a common concern on the material being taught on the issue of Sex Education in schools. Fellow parents vote on them to insure that they make the correct decisions on what their kids are learning in school. They are all f rom some form of the Christian religion. They are from ages 30 and older. They representRead MorePros And Cons Of Sex Education In Public Schools821 Words   |  4 PagesShould Sex ed be taught in public schools? I. Introduction Do you think all grades, K-12, should take sex education as a part of their school curriculum? A. Interest grabber about the topic Picture this, a 5 year old learning the birds and the bees instead of learning how to write their name. Why are we focusing on teaching kids about sex before they even have the basics of academics mastered? B. Preview of background, pros and cons Sex education is a basic term used to describe a wide range

Caltron Inc Free Essays

Over the past ten years the importance of accounting cannot be overemphasized, as we’ve seen our share of national scandals. In today’s society accounting principles and standards are severely important in driving the formation of financial statements. Without principles and standards, financial reporting would not fairly present the financial position of a company. We will write a custom essay sample on Caltron Inc or any similar topic only for you Order Now Accounting has changed and evolved vastly over time and continues to change. Because of this I am going to breakdown the way your financial reporting team has been recognizing revenue for the fourth quarter of the current year and assess the implications it may have on your financial statements. I will also take you through the process of how the accounting standards are created to give you a better understanding of what my conclusion is. Revenue Recognition Implications As you know Caltron Computers, Inc. s a publicly held company with a total market capitalization in excess of $450 million, and you have a proposed secondary public stock offering coming in early February 20X2. Therefore the auditors are concerned about the impact of these transactions and want to bring it to your attention before it misrepresents the reported earnings. Caltron reported net revenues from four transactions equal to $1,710,000 in Q4, while cash received only totaled $495,000. The quality of earnings issue surfaces and gives the auditors reasons to question the accounting methods and possibly their honesty and ethics. The company policy for recognizing revenue is when the products are shipped, and because of this, a potential issue has come about relating to some of the transactions. Typically revenues are earned when the earning process is complete and an exchange has taken place. Once this happens the risks of ownership are transferred to the buyer, unless an arrangement for the sale states otherwise. Collectibility of the sales price is questionable for three of these transactions. According to FASB, revenue generally is realized or realizable and earned when all of the following criteria are met: persuasive evidence of an arrangement exists, delivery has occurred or services have been rendered, the seller’s price to the buyer is fixed or determinable, and collectibility is reasonably assured. (FASB, 2008) Now I will follow this with a breakdown of all the How to cite Caltron Inc, Papers

Telstra Global Enterprise

Question: Write about theTelstra Global Enterprise. Answer: Telstra is one of the world's driving provider of computerized machines and media. The organization was established by Andy Penn in 1975 as an exchanging organization. Telstra at first had practical experience in sending out Korean fish and vegetables to Beijing and Manchuria. The organization reformed later to have its own candy store machines and flour factories. The organization in 1990, with the advancement of innovation entered the worldwide market with hardware and semi-conductors turning into the significant income source. Telstra which implies three stars in Korea held a similar name all through the development. The organization which is presently connected with enormous tech organizations like Google, Microsoft, Facebook and Vodafone works in eighty nations with more than 300,000 representatives. The organization always concentrate on innovative work which has prompted item enhancement ( Ross, 2015). Telstra principle target is to make life less demanding for its clients. The organization's items are intended to serves diverse statistic profiles. The showcasing likewise considers individuals clients of various financial status. This operation methodology has helped the brand to flourish and get a greater client share the brand contemplates it clients and utilize distinctive methods to catch everybody's consideration. The promotion is the significant showcasing technique utilized by the organization. The promotions are intended to highlight new items been discharged in the market. The ad is utilized to gage the client's impression of the item and through this they can know how the item will perform in the market. The Telstra operation administration has strategized by defined a few arrangements which includes delivering items that will catch the consideration of the purchasers. This is the primary period of this procedure. Once the organization has caught the consideration of the customers by the new line of item now they concentrate on how they will make the group of onlookers get keen on obtaining the item. Since the memory of the item is still crisp the organization now goes for keeping up a similar quality standard that they can accomplish which will for the most part be founded on the dependable buyers they pick up from the start of the item. The fundamental goal of the operation administration is to keep Telstra steady and solid. The organization is steady when the profits of the benefits surpass the operation expenses of the item. The operation administration group guarantee the items are performing great in the market. They make the organization solid by making top of the line items and the extras promptly accessible for the costumer to keep them happy with the item. The operations administration likewise guarantees high caliber of the item, usability of the item as far as capacities and employments. This will give clients fulfillment when they get the item. The other target of the operation administration group is to build deals and the benefits of the organization. Expanding deals is through publicizing to the potential customers and keeping up great relations between the purchasers and the organization. The operations group must keep up the organization's notoriety high as one of the main suppliers of computerized media. The organization has had some expertise in enhancement of items they have accomplished this in little scale as well as in expansive scale. They have worldwide customers everywhere throughout the world .The are referred to for computerized media as well as in LCD arrange, semi-conductors, broadcast communications, advanced apparatuses and globalization. In computerized media there is a considerable measure of rivalry henceforth to keep Telstra stable the group has connected distinctive innovations and plan on their items to make them novel yet quality. The group has not just built up their item through innovative work additionally centered on business administration and generation keep up the benefit of the organization. Telstra has branches in most significant urban communities on the planet. This is advertising technique of achieving numerous clients in their own particular safe place. They tweak their items as per the clients require. Their item targets distinctive conservative class of peple. They have items for everybody in the general public and that is the fundamental reason Telstra does well on the planet. Dissimilar to different organizations like Vodafone that make costly items which a few customers can't bear. This how Telstra has flourished with its broadening of item and keeping up great relations with the buyers. Telstra creates hard product and furthermore its parts of which it helps it pick up preferred standpoint over its rivals by pitching this segments to them. Some portable organizations like Vodafone purchase the part from Telstra. Telstra ebb and flow operation technique incorporate Research and improvement, Procurement, Manufacturing, coordinations, deals, and after administrations. In innovative work Telstra has committed around 10% of its income to innovative work. Very nearly 33% of its worker work in the innovative work to think of new market patterns and plans to set new principles in the market. Investigate has demonstrated that Vodafone spend around 3 % of its income in research thus Telstra for the most part rely on upon the exploration to remain in front of it contenders. In acquisition the organization outsources its generation to China where the work is shoddy. The organization diminishes work cost which lessens the cost of creation. They then offer the items at market cost thus giving them a decent overall revenue. This empowers them to be aggressive in the market as far as expenses and deals. Most Telstra items are less expensive than different brands in the market because of this operation proce dure. In assembling the organization has flourished because of capacity of understanding the market, emulating and enhancing the contender's item. Telstra has been known for emulating its rivals' items however fortify and enhance the item beating the contenders unexpectedly. They can fabricate items rapidly and can make incremental upgrades on items inside a brief timeframe. In coordinations Telstra has deliberately set its branches in various nations to help in the dissemination of its items. They have begun of the craftsmanship conveyance vehicles with prepared conveyance work force. They have versatile trackers which track the items progressively. The organization utilize powerful conveyance plans and streamline courses which help in conveying the items on time to the assigned buyers. They have efficient work process that empower them to monitor parts and items as they are transported to the whole store network. The organization is centered on keeping up amazing products while using the new patterns and innovation. Through this technique they anticipate that the organization will expand its net revenues a seemingly endless amount of time since their principle goal is to reach $400 billion deals by the year 2020.The organization has differentiated organizations in various segment, for example, plant development, mold, petrochemicals , back, drug, inns and high rise. They have settled the organization through this enhancement of their items. Telstra stays among the worldwide pioneer in hardware creation and computerized media. Telstra is notable for their after deals benefits particularly in fast reaction in managing customers o n the utilization of the items .Their target it to address purchaser issues. The purchaser reliably foresees that the cost will be lower, yet it is hard for the PDAs associations, for instance, Telstra to be unobtrusive in light of the era cost especially the work cost. The Galaxy S line is not terrible, yet rather its components make it defended, in spite of all the inconvenience. Another variable that affects client decision of the phone is the availability of information to the clients. Most consumers have the opportunity to differentiate the S brand and other Telstra lines or it break even with other competitiors, for instance, an iPhone. The Telstra S has irregular shape of metallic which comes with an OLED shape, which will attract the consumers eyes. Angry Competition from various other brands such HP, LG and IPhone has given the buyer an inconceivable collection of things to investigate in the market. The Telstra has made a brand dedication to the clienteles by guaranteeing the phone is esteemed successfully, premium quality and amazing execution. These segments engage the phone to stay ahead of the rest inside the wireless segment. In the mobile phone industry, there are factors which influence the client essential attention toward the product. The appearance and the design of the phone is important since the phones can be customized to differentiate it from the rest. The taxes can sometimes affect the profit margin, especially when shipping which can impact the market cost especially in up-coming countries where the organization has branches. Customization not be required since the all-inclusive community use the phone for their basic needs. Telstra vanquished this test by fusing itself into new countries and markets through improvement of the network . The association has particular brands, which consider the inside and first class buyers. Social segments consolidate developing where the developing masses impacts the demand of the line. The adolescents can't endure the cost of awesome PDAs, in any case they are the ones aware of the new advancement. The developers who have sufficient cash to obtain the top no tch phones need to use less convoluted phones. Telstra has combined in such a market by offering and advancing their things completely. Through this Telstra can check the demand hole made by the developing masses. Customers buy mobile phones generally as a result of their individual needs or calling. Most models or TV characters require mobile phones with awesome camera optics and extraordinary execution as a result of their slant of their work. Distinctive reasons for living like the IT client would require a mobile phone with an OK processor and speed and enough memory to store data. Telstra has isolated their things by making differing mobile phones astounding in a particular segment or shape. The Telstra brand has awesome cameras especially the rear one which can make incredible pictures. The mobile phone was made to check certain class or was expected to target particular specialists. Telstra brand goes with countless applications and games which you can download from the Telstra store or get an arrangement of free applications given in the Telstra Hub. These components being faithfulness to the brand since the proprietor of the PDAs can get to the organizations in vain. The parts and the unrestrained applications can construct unwaveringness and reliance on the client in this manner each time they require a mobile phone they will look for a Telstra universe. These are the mental components affect the mobile phone customers. As showed by research of leadership of necessities, a Smartphone this days is a basic need since an extensive part of the grownups contribute 80% of their vitality with their phone. The Telstra has stand-out components and applications, which are expected to make work less complex for the customers. You can email call, send messages, check bank account, record notes both in audio or videos, store and share information. The Telstra is easily advantageous and is both dustproof and waterproof. In this period, a Smartphone has advanced toward turning into our best friend and we depend up on it through our day to day activity hence becoming part of us. It can run various errands instead of moving like ordering pizza and paying bills. The Telstra network is growing rapidly and expanding. The network can provide various networking services which has made it stand out from other network, they are making enough profit to enable them to expand and sustain themselves. (Scannell, 2015). References You, J. (2015). Legal perspectives on corporate social responsibility: Lessons from the United States and Korea. Song, C., Yi, K. (2014). The Telstraway: Transformational management strategies from the world leader in innovation and design. Mahadevan, B. (2009). Operations management: Theory and practice. New Delhi: Published by Dorling Kindersley (India), licensees of Pearson Education in South Asia. Chloe, Y. (2008). Dynamic techno-management capability: The case of Telstrasemiconductor sector in Korea. Alders hot [u.a.: Avebury. Michell, T. (2010). TelstraElectronics and the struggle for leadership of the electronics industry. Singapore: Wiley. Hill, C. W. L., Jones, G. R. (2008). Strategic management: An integrated approach. Boston: Houghton Mifflin. Chang, S.-J. (2011).: The inside Story of the Electronics Giants' Battle for Global Supremacy. Hoboken: John Wiley Sons. In Panagopoulos, A. D. (2016). Handbook of research on next generation mobile communication systems Roll, M. (2006). Asian brand strategy: How Asia builds strong brands. Basingstoke [England: Palgrave Macmillan. Lee, D. (2006). TelstraElectronics: The Global Inc. Seoul, Korea: YSM, Inc. Hughes, B. (2011). TelstraGalaxy. Hoboken, N.J: Wiley Pub. Galliers, R.D. and Leidner, D.E., 2013.Strategic information management: challenges and strategies in managing information systems. Routledge. Cavusgil, S.T., Knight, G., Riesenberger, J.R., Rammal, H.G. and Rose, E.L., 2014.International business. Pearson Australia. Chen, J.E., Pan, S.L. and Ouyang, T.H., 2014. Routine reconfiguration in traditional companies-commerce strategy implementation: A trajectory perspective.Information Management,51(2), pp.270-282. Cummings, T.G. and Worley, C.G., 2014.Organization development and change. Cengage learning. Hajli, M.N., 2014. The role of social support on relationship quality and social commerce.Technological Forecasting and Social Change,87, pp.17-27. Maity, M. and Dass, M., 2014. Consumer decision-making across modern and traditional channels: E-commerce, m-commerce, in-store.Decision Support Systems,61, pp.34-46. Xiao, T., Choi, T.M. and Cheng, T.C.E., 2014. Product variety and channel structure strategy for a retailer-Stackelberg supply chain.European Journal of Operational Research,233(1), pp.114-124. Mata, F.J. and Quesada, A., 2014. Web 2.0, social networks and e-commerce as marketing tools.Journal of theoretical and applied electronic commerce research,9(1), pp.56-69. Savrul, M., Incekara, A. and Sener, S., 2014. The Potential of E-commerce for SMEs in a Globalizing Business Environment.Procedia-Social and Behavioral Sciences,150, pp.35-45. Serrano, E., Such, J.M., Bota, J.A. and Garca-Fornes, A., 2014. Strategies for avoiding preference profiling in agent-based e-commerce environments. Applied intelligence,40(1), pp.127-142.

Susan Sontag Essay Example Essay Example

Susan Sontag Essay Example Paper Susan Sontag Essay Introduction In the essay titled â€Å"America Seen through Photographs Darkly† Susan Sontag discusses the advent of realism, the misinterpretations of realism, and the acceptance of surrealism as a substitute for realism in the realm of photography in America. Sontag chooses the thoughts of Walt Whitman to provide a framework for studying the works of photographers from the 1930s to the 1960s. In so doing, Susan Sontag makes many controversial statements. While some may be accepted logically, there are others which can be refuted. What is significant however is that Susan Sontag through this essay creates awareness of what beauty and importance means, and of what realism means in the context of photography.Walt Whitman perceived the democratic values of culture as that which existed beyond the contexts of beauty and ugliness, importance and triviality. According to Walt Whitman, nobody would fret about beauty and ugliness. The views of Walt Whitman changed the view of artists in many fiel ds dramatically. Artists took seriously Whitman’s program of populist transcendence of the democratic transvaluation of beauty and ugliness, importance and triviality. This resulted in an inclination to portray reality as it was rather than focusing only on traditional concepts of beauty. In the case of photography, this desire, instead of resulting in demystification of reality has resulted in a mystification of the art according to Sontag. This argument of Sontag is further strengthened by Susie Linfield who says that though photographs (of humanism) don’t explain the way the world works ..it’s true that photographs document the specific, they tend, also, to blur—dangerously blur—political and historic distinctions†. She explains this with the example. A photograph of a bombed-out apartment building in Berlin, circa 1945, looks much like a photograph of a bombed-out apartment building in Hanoi, circa 1969, which looks awfully similar to a p hotograph of a bombed-out apartment building in Baghdad from last week.This is a mystifying aspect of realism. Further according to Susie Linfield, people generally approach photographs, first and foremost, on an emotional level. She points out that Brecht regarded all feeling as dishonest and dangerous. In the book â€Å"Witness Iraq: A War Journal February–April 20003† there is one image showing six women in a cemetery outside Baghdad. The picture was taken by Jerome Delay, a French war photographer for the Associated Press and the caption tells us, â€Å"Relatives of Mohammed Jaber Hassan weep over his coffin . . . Hassan, 22, died when a bomb fell on a busy market in Baghdad’s Shula district.† Because the picture is dated â€Å"03/29/03,† we know that the bomb was probably an American one and that it was dropped on the civilian marketplace almost certainly by accident. If the picture were dated 2006, then, it would imply that the bomb was plant ed by insurgents in Iraq (Linfield, 2006). Thus, we can conclude that Susan Sontag is very right in pointing to the mystification that happens when photographers become humanistic in approach.Sontag says, â€Å"To photograph is to confer importance. No moment is more important than any other moment; no person is more interesting than any other person†. One of the most talked about photographs of recent times is the picture of an anonymous Afghan refugee woman taken by photographer Steve McCurry for the cover of National Geographic Magazine June 1985. The photograph showed the piercing stare of a young woman peering from a bedraggled cloak. The piercing green eyes epitomized the tragic story of dispossessed children everywhere and the image became a 20th-century icon. It was only recently in 2002, that Steve McCurry could trace her back and found that the woman’s name was Sharbat Gula (Connor, 2002).â€Å"Whitman thought he was not abolishing beauty but generalizing it . So, for generations, did the most gifted American photographers, in their polemical pursuit of the trivial and the vulgar†. Susan Sontag talks about Walker Evans as the last great photographer to have worked seriously in mood derived from Whitman’s euphoric humanism. She says that Evans was not as arty as Stieglitz. In the words of Sontag, â€Å"Evans sought a more impersonal kind of affirmation, a noble reticence, and a lucid understatement†. She justifies her statement that Evans was not arty by pointing out that Evan never tried to express himself in the photographs (like an artist does). He took photographs of architectural still life of American facades and exacting portraits of Southern sharecroppers in the 1930s. This view of Sontag is supported by Lincoln Kirstein who wrote ‘Looked at in sequence they are overwhelming in their exhaustiveness of detail, their poetry of contrast, and, for those who wish to see it, their moral implication†. Thi s explains why Sontag said that Evan’s project seemed to descend from Whitman. Evans project showed a leveling of discriminations between the beautiful and the ugly. Sontag further makes the point that everything is morally equivalent to a photograph. Evans wanted his works to be literate, authoritative and transcendent. Whitman preached empathy, concord in discord oneness in diversity. This message of identification with other Americans links Whitman and Evans in a subtle manner.â€Å"The moral universe of the 1930s being no longer ours, these adjectives are barely creditable today. Nobody demands that photography be literate. Nobody can imagine how it could be authoritative. Nobody understands how anything, least of all a photograph, could be transcendent†. John Szarkowski, in his introduction to â€Å"Walker Evans† explains the meaning thus: â€Å"The photographer must define his subject with an educated awareness of what it is and what it means; he must des cribe it with such simplicity and sureness that the result seems an unchallengeable fact, not merely the record of a photographer’s opinion; yet the picture itself should possess a taut athletic grace, an inherent structure, that gives it a life in metaphor†. There have been impressive photographers whose work can be considered literate, authoritative and transcendent, such as those of Weegee, Helen Levitt, Homer Page, Gordon Parks, Roy DeCarava, Robert Frank, and others. The works of these photographers convey the mixed artistic mood of the postwar period. The most subjective artistic photography of the period is seen in the work of Frederick Sommer, Minor White, Harry Callahan, and Aaron Siskind, while the art of applied photography is exemplified in fashion and portrait images by Richard Avedon, Irving Penn, Arnold Newman, and others. Thus, Susan Sontag seems to be somewhat pessimistically judgmental in holding that there is no one who understands what it means to be literate, authoritative and transcendent.Susan Sontag compares the works of Edward Steichen and Diane Arbus. Steichen’s work was aimed at showing all human is one and that human beings are attractive creatures. Steichen’s choice of photographs assumes a human condition or a human nature shared by everybody. Individuals are born work laugh and die everywhere in the same way. Arbus showed that this is a world in which everybody is an alien, hopelessly isolated, and immobilized, in mechanical crippled identities and relationships. Diane Arbus aimed at showing that all human is one and that human beings are horrific monsters. According to Sontag, while Steichen universalized the human condition into joy, Arbus universalized it into horror. Everybody Arbus photographed was a freak. This argument can be refuted. The main complaint Sontag places against Arbus is that she chose ugliness and horror subjects, made them pose, and took frontal pictures that were grotesque. Sontag , with an air of disapproval, claimed that Arbus’ work â€Å"lined up assorted monsters and borderline cases-most of them ugly; wearing grotesque or unflattering clothing; in dismal or barren surroundings’. Sontag says that Arbus interest in freaks expresses a desire to violate her own innocence, to undermine her sense of being privileged, to vent her frustration at being safe. This accusation by Sontag does not have any truth in it. Arbus’ work took a dark turn in her final works when her mental health deteriorated and that was seen in the collected grouped as â€Å"Untitled, 1970-71† in the retrospective organized by the San Francisco Museum of Modern Art that showed at New York’s Metropolitan Museum of Art in spring 2005. In her early works, Arbus brought out humanity in her subjects and coaxed out their personality. Sontag says that â€Å"Anybody Arbus photographed was a freak,† citing, as one of several examples, a boy waiting to march in a pro-war march wearing a â€Å"Bomb Hanoi† button. This earnest young man is definitely not a freak. The picture is of a naà ¯ve, fresh-scrubbed boy, rather typical of the 1960s, and shows the young man as he is. No doubt he is shown as ignorant and absurd in his act of wearing the Bomb Hanoi button, but he cannot be considered a â€Å"freak,† when the truth is that many Americans, sadly, supported the Vietnam War. One of the best pictures of Arbus is â€Å"The 1938 Debutante of the Year at Home, Boston, 1966,† a picture of an extremely privileged woman well into the transition from middle age to seniority smoking in her bed. Every pore of this woman exudes privilege, captured in astonishing clarity by Arbus, a perhaps unequaled master of technique (Dolack, 2006). This woman would not have considered herself a ‘freak’. Another photo that Sontag did specifically mention is the â€Å"human pincushion† of New Jersey, a middle-aged man who, while demonstrating his specialty, nonetheless is very proud. The privileged once-debutante and the circus performer are both comfortable with themselves and thus in front of the camera.Also evident in her attack on Arbus is the fact that Sontag considers the aim of a photograph is to make something beautiful. Well, one can disagree with this statement. A photograph doesn’t necessarily make something beautiful. Consider, for example, Garry Winogrand’s picture of a legless veteran surrounded by pedestrians on a busy New York street. It’s a very strong picture, compelling and well-made. Yet, the ugliness of that man’s situation is not only exposed but amplified. Then consider Winogrand’s picture of a black man looking at a rhinoceros in a zoo – the animal’s horn is missing and what’s left in its place is ugly and disturbing, as is the recognition seen in the man’s face. Thus, two photographers whose work quickly refutes S ontag’s contention are Robert Frank and Garry Winogrand. There are several others. Arbus explains: â€Å"Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma. They’ve already passed their test in life. They’re aristocrats.† These words show clearly that Arbus’s personal and intellectual attractions to oddities of nature and society convey a responsiveness that is also a sense of responsibility (Schjeldahl, 2005).Thus in the essay â€Å"America Seen through Photographs Darkly† Susan Sontag makes some intellectual observations and some controversial statements. While it is true that realism in American photography has been mystifying to a certain extent and every person is given importance in a photograph, it is false that there have been no photographers who understand the meaning of making a photograph ‘literate, authoritative and transcendent† Sontag is false in her claim that photographs should aim to capture the beautiful; – and false in her attacks on Arbus. Susan Sontag Essay Thank you for reading this Sample! Susan Sontag Essay Example Essay Example Susan Sontag Essay Example Paper Susan Sontag Essay Introduction In the essay titled â€Å"America Seen through Photographs Darkly† Susan Sontag discusses the advent of realism, the misinterpretations of realism, and the acceptance of surrealism as a substitute for realism in the realm of photography in America. Sontag chooses the thoughts of Walt Whitman to provide a framework for studying the works of photographers from the 1930s to the 1960s. In so doing, Susan Sontag makes many controversial statements. While some may be accepted logically, there are others which can be refuted. What is significant however is that Susan Sontag through this essay creates awareness of what beauty and importance means, and of what realism means in the context of photography.Walt Whitman perceived the democratic values of culture as that which existed beyond the contexts of beauty and ugliness, importance and triviality. According to Walt Whitman, nobody would fret about beauty and ugliness. The views of Walt Whitman changed the view of artists in many fiel ds dramatically. Artists took seriously Whitman’s program of populist transcendence of the democratic transvaluation of beauty and ugliness, importance and triviality. This resulted in an inclination to portray reality as it was rather than focusing only on traditional concepts of beauty. In the case of photography, this desire, instead of resulting in demystification of reality has resulted in a mystification of the art according to Sontag. This argument of Sontag is further strengthened by Susie Linfield who says that though photographs (of humanism) don’t explain the way the world works ..it’s true that photographs document the specific, they tend, also, to blur—dangerously blur—political and historic distinctions†. She explains this with the example. A photograph of a bombed-out apartment building in Berlin, circa 1945, looks much like a photograph of a bombed-out apartment building in Hanoi, circa 1969, which looks awfully similar to a p hotograph of a bombed-out apartment building in Baghdad from last week.This is a mystifying aspect of realism. Further according to Susie Linfield, people generally approach photographs, first and foremost, on an emotional level. She points out that Brecht regarded all feeling as dishonest and dangerous. In the book â€Å"Witness Iraq: A War Journal February–April 20003† there is one image showing six women in a cemetery outside Baghdad. The picture was taken by Jerome Delay, a French war photographer for the Associated Press and the caption tells us, â€Å"Relatives of Mohammed Jaber Hassan weep over his coffin . . . Hassan, 22, died when a bomb fell on a busy market in Baghdad’s Shula district.† Because the picture is dated â€Å"03/29/03,† we know that the bomb was probably an American one and that it was dropped on the civilian marketplace almost certainly by accident. If the picture were dated 2006, then, it would imply that the bomb was plant ed by insurgents in Iraq (Linfield, 2006). Thus, we can conclude that Susan Sontag is very right in pointing to the mystification that happens when photographers become humanistic in approach.Sontag says, â€Å"To photograph is to confer importance. No moment is more important than any other moment; no person is more interesting than any other person†. One of the most talked about photographs of recent times is the picture of an anonymous Afghan refugee woman taken by photographer Steve McCurry for the cover of National Geographic Magazine June 1985. The photograph showed the piercing stare of a young woman peering from a bedraggled cloak. The piercing green eyes epitomized the tragic story of dispossessed children everywhere and the image became a 20th-century icon. It was only recently in 2002, that Steve McCurry could trace her back and found that the woman’s name was Sharbat Gula (Connor, 2002).â€Å"Whitman thought he was not abolishing beauty but generalizing it . So, for generations, did the most gifted American photographers, in their polemical pursuit of the trivial and the vulgar†. Susan Sontag talks about Walker Evans as the last great photographer to have worked seriously in mood derived from Whitman’s euphoric humanism. She says that Evans was not as arty as Stieglitz. In the words of Sontag, â€Å"Evans sought a more impersonal kind of affirmation, a noble reticence, and a lucid understatement†. She justifies her statement that Evans was not arty by pointing out that Evan never tried to express himself in the photographs (like an artist does). He took photographs of architectural still life of American facades and exacting portraits of Southern sharecroppers in the 1930s. This view of Sontag is supported by Lincoln Kirstein who wrote ‘Looked at in sequence they are overwhelming in their exhaustiveness of detail, their poetry of contrast, and, for those who wish to see it, their moral implication†. Thi s explains why Sontag said that Evan’s project seemed to descend from Whitman. Evans project showed a leveling of discriminations between the beautiful and the ugly. Sontag further makes the point that everything is morally equivalent to a photograph. Evans wanted his works to be literate, authoritative and transcendent. Whitman preached empathy, concord in discord oneness in diversity. This message of identification with other Americans links Whitman and Evans in a subtle manner.â€Å"The moral universe of the 1930s being no longer ours, these adjectives are barely creditable today. Nobody demands that photography be literate. Nobody can imagine how it could be authoritative. Nobody understands how anything, least of all a photograph, could be transcendent†. John Szarkowski, in his introduction to â€Å"Walker Evans† explains the meaning thus: â€Å"The photographer must define his subject with an educated awareness of what it is and what it means; he must des cribe it with such simplicity and sureness that the result seems an unchallengeable fact, not merely the record of a photographer’s opinion; yet the picture itself should possess a taut athletic grace, an inherent structure, that gives it a life in metaphor†. There have been impressive photographers whose work can be considered literate, authoritative and transcendent, such as those of Weegee, Helen Levitt, Homer Page, Gordon Parks, Roy DeCarava, Robert Frank, and others. The works of these photographers convey the mixed artistic mood of the postwar period. The most subjective artistic photography of the period is seen in the work of Frederick Sommer, Minor White, Harry Callahan, and Aaron Siskind, while the art of applied photography is exemplified in fashion and portrait images by Richard Avedon, Irving Penn, Arnold Newman, and others. Thus, Susan Sontag seems to be somewhat pessimistically judgmental in holding that there is no one who understands what it means to be literate, authoritative and transcendent.Susan Sontag compares the works of Edward Steichen and Diane Arbus. Steichen’s work was aimed at showing all human is one and that human beings are attractive creatures. Steichen’s choice of photographs assumes a human condition or a human nature shared by everybody. Individuals are born work laugh and die everywhere in the same way. Arbus showed that this is a world in which everybody is an alien, hopelessly isolated, and immobilized, in mechanical crippled identities and relationships. Diane Arbus aimed at showing that all human is one and that human beings are horrific monsters. According to Sontag, while Steichen universalized the human condition into joy, Arbus universalized it into horror. Everybody Arbus photographed was a freak. This argument can be refuted. The main complaint Sontag places against Arbus is that she chose ugliness and horror subjects, made them pose, and took frontal pictures that were grotesque. Sontag , with an air of disapproval, claimed that Arbus’ work â€Å"lined up assorted monsters and borderline cases-most of them ugly; wearing grotesque or unflattering clothing; in dismal or barren surroundings’. Sontag says that Arbus interest in freaks expresses a desire to violate her own innocence, to undermine her sense of being privileged, to vent her frustration at being safe. This accusation by Sontag does not have any truth in it. Arbus’ work took a dark turn in her final works when her mental health deteriorated and that was seen in the collected grouped as â€Å"Untitled, 1970-71† in the retrospective organized by the San Francisco Museum of Modern Art that showed at New York’s Metropolitan Museum of Art in spring 2005. In her early works, Arbus brought out humanity in her subjects and coaxed out their personality. Sontag says that â€Å"Anybody Arbus photographed was a freak,† citing, as one of several examples, a boy waiting to march in a pro-war march wearing a â€Å"Bomb Hanoi† button. This earnest young man is definitely not a freak. The picture is of a naà ¯ve, fresh-scrubbed boy, rather typical of the 1960s, and shows the young man as he is. No doubt he is shown as ignorant and absurd in his act of wearing the Bomb Hanoi button, but he cannot be considered a â€Å"freak,† when the truth is that many Americans, sadly, supported the Vietnam War. One of the best pictures of Arbus is â€Å"The 1938 Debutante of the Year at Home, Boston, 1966,† a picture of an extremely privileged woman well into the transition from middle age to seniority smoking in her bed. Every pore of this woman exudes privilege, captured in astonishing clarity by Arbus, a perhaps unequaled master of technique (Dolack, 2006). This woman would not have considered herself a ‘freak’. Another photo that Sontag did specifically mention is the â€Å"human pincushion† of New Jersey, a middle-aged man who, while demonstrating his specialty, nonetheless is very proud. The privileged once-debutante and the circus performer are both comfortable with themselves and thus in front of the camera.Also evident in her attack on Arbus is the fact that Sontag considers the aim of a photograph is to make something beautiful. Well, one can disagree with this statement. A photograph doesn’t necessarily make something beautiful. Consider, for example, Garry Winogrand’s picture of a legless veteran surrounded by pedestrians on a busy New York street. It’s a very strong picture, compelling and well-made. Yet, the ugliness of that man’s situation is not only exposed but amplified. Then consider Winogrand’s picture of a black man looking at a rhinoceros in a zoo – the animal’s horn is missing and what’s left in its place is ugly and disturbing, as is the recognition seen in the man’s face. Thus, two photographers whose work quickly refutes S ontag’s contention are Robert Frank and Garry Winogrand. There are several others. Arbus explains: â€Å"Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma. They’ve already passed their test in life. They’re aristocrats.† These words show clearly that Arbus’s personal and intellectual attractions to oddities of nature and society convey a responsiveness that is also a sense of responsibility (Schjeldahl, 2005).Thus in the essay â€Å"America Seen through Photographs Darkly† Susan Sontag makes some intellectual observations and some controversial statements. While it is true that realism in American photography has been mystifying to a certain extent and every person is given importance in a photograph, it is false that there have been no photographers who understand the meaning of making a photograph ‘literate, authoritative and transcendent† Sontag is false in her claim that photographs should aim to capture the beautiful; – and false in her attacks on Arbus. Susan Sontag Essay Thank you for reading this Sample! Susan Sontag Essay Example Essay Example Susan Sontag Essay Example Paper Susan Sontag Essay Introduction In the essay titled â€Å"America Seen through Photographs Darkly† Susan Sontag discusses the advent of realism, the misinterpretations of realism, and the acceptance of surrealism as a substitute for realism in the realm of photography in America. Sontag chooses the thoughts of Walt Whitman to provide a framework for studying the works of photographers from the 1930s to the 1960s. In so doing, Susan Sontag makes many controversial statements. While some may be accepted logically, there are others which can be refuted. What is significant however is that Susan Sontag through this essay creates awareness of what beauty and importance means, and of what realism means in the context of photography.Walt Whitman perceived the democratic values of culture as that which existed beyond the contexts of beauty and ugliness, importance and triviality. According to Walt Whitman, nobody would fret about beauty and ugliness. The views of Walt Whitman changed the view of artists in many fiel ds dramatically. Artists took seriously Whitman’s program of populist transcendence of the democratic transvaluation of beauty and ugliness, importance and triviality. This resulted in an inclination to portray reality as it was rather than focusing only on traditional concepts of beauty. In the case of photography, this desire, instead of resulting in demystification of reality has resulted in a mystification of the art according to Sontag. This argument of Sontag is further strengthened by Susie Linfield who says that though photographs (of humanism) don’t explain the way the world works ..it’s true that photographs document the specific, they tend, also, to blur—dangerously blur—political and historic distinctions†. She explains this with the example. A photograph of a bombed-out apartment building in Berlin, circa 1945, looks much like a photograph of a bombed-out apartment building in Hanoi, circa 1969, which looks awfully similar to a p hotograph of a bombed-out apartment building in Baghdad from last week.This is a mystifying aspect of realism. Further according to Susie Linfield, people generally approach photographs, first and foremost, on an emotional level. She points out that Brecht regarded all feeling as dishonest and dangerous. In the book â€Å"Witness Iraq: A War Journal February–April 20003† there is one image showing six women in a cemetery outside Baghdad. The picture was taken by Jerome Delay, a French war photographer for the Associated Press and the caption tells us, â€Å"Relatives of Mohammed Jaber Hassan weep over his coffin . . . Hassan, 22, died when a bomb fell on a busy market in Baghdad’s Shula district.† Because the picture is dated â€Å"03/29/03,† we know that the bomb was probably an American one and that it was dropped on the civilian marketplace almost certainly by accident. If the picture were dated 2006, then, it would imply that the bomb was plant ed by insurgents in Iraq (Linfield, 2006). Thus, we can conclude that Susan Sontag is very right in pointing to the mystification that happens when photographers become humanistic in approach.Sontag says, â€Å"To photograph is to confer importance. No moment is more important than any other moment; no person is more interesting than any other person†. One of the most talked about photographs of recent times is the picture of an anonymous Afghan refugee woman taken by photographer Steve McCurry for the cover of National Geographic Magazine June 1985. The photograph showed the piercing stare of a young woman peering from a bedraggled cloak. The piercing green eyes epitomized the tragic story of dispossessed children everywhere and the image became a 20th-century icon. It was only recently in 2002, that Steve McCurry could trace her back and found that the woman’s name was Sharbat Gula (Connor, 2002).â€Å"Whitman thought he was not abolishing beauty but generalizing it . So, for generations, did the most gifted American photographers, in their polemical pursuit of the trivial and the vulgar†. Susan Sontag talks about Walker Evans as the last great photographer to have worked seriously in mood derived from Whitman’s euphoric humanism. She says that Evans was not as arty as Stieglitz. In the words of Sontag, â€Å"Evans sought a more impersonal kind of affirmation, a noble reticence, and a lucid understatement†. She justifies her statement that Evans was not arty by pointing out that Evan never tried to express himself in the photographs (like an artist does). He took photographs of architectural still life of American facades and exacting portraits of Southern sharecroppers in the 1930s. This view of Sontag is supported by Lincoln Kirstein who wrote ‘Looked at in sequence they are overwhelming in their exhaustiveness of detail, their poetry of contrast, and, for those who wish to see it, their moral implication†. Thi s explains why Sontag said that Evan’s project seemed to descend from Whitman. Evans project showed a leveling of discriminations between the beautiful and the ugly. Sontag further makes the point that everything is morally equivalent to a photograph. Evans wanted his works to be literate, authoritative and transcendent. Whitman preached empathy, concord in discord oneness in diversity. This message of identification with other Americans links Whitman and Evans in a subtle manner.â€Å"The moral universe of the 1930s being no longer ours, these adjectives are barely creditable today. Nobody demands that photography be literate. Nobody can imagine how it could be authoritative. Nobody understands how anything, least of all a photograph, could be transcendent†. John Szarkowski, in his introduction to â€Å"Walker Evans† explains the meaning thus: â€Å"The photographer must define his subject with an educated awareness of what it is and what it means; he must des cribe it with such simplicity and sureness that the result seems an unchallengeable fact, not merely the record of a photographer’s opinion; yet the picture itself should possess a taut athletic grace, an inherent structure, that gives it a life in metaphor†. There have been impressive photographers whose work can be considered literate, authoritative and transcendent, such as those of Weegee, Helen Levitt, Homer Page, Gordon Parks, Roy DeCarava, Robert Frank, and others. The works of these photographers convey the mixed artistic mood of the postwar period. The most subjective artistic photography of the period is seen in the work of Frederick Sommer, Minor White, Harry Callahan, and Aaron Siskind, while the art of applied photography is exemplified in fashion and portrait images by Richard Avedon, Irving Penn, Arnold Newman, and others. Thus, Susan Sontag seems to be somewhat pessimistically judgmental in holding that there is no one who understands what it means to be literate, authoritative and transcendent.Susan Sontag compares the works of Edward Steichen and Diane Arbus. Steichen’s work was aimed at showing all human is one and that human beings are attractive creatures. Steichen’s choice of photographs assumes a human condition or a human nature shared by everybody. Individuals are born work laugh and die everywhere in the same way. Arbus showed that this is a world in which everybody is an alien, hopelessly isolated, and immobilized, in mechanical crippled identities and relationships. Diane Arbus aimed at showing that all human is one and that human beings are horrific monsters. According to Sontag, while Steichen universalized the human condition into joy, Arbus universalized it into horror. Everybody Arbus photographed was a freak. This argument can be refuted. The main complaint Sontag places against Arbus is that she chose ugliness and horror subjects, made them pose, and took frontal pictures that were grotesque. Sontag , with an air of disapproval, claimed that Arbus’ work â€Å"lined up assorted monsters and borderline cases-most of them ugly; wearing grotesque or unflattering clothing; in dismal or barren surroundings’. Sontag says that Arbus interest in freaks expresses a desire to violate her own innocence, to undermine her sense of being privileged, to vent her frustration at being safe. This accusation by Sontag does not have any truth in it. Arbus’ work took a dark turn in her final works when her mental health deteriorated and that was seen in the collected grouped as â€Å"Untitled, 1970-71† in the retrospective organized by the San Francisco Museum of Modern Art that showed at New York’s Metropolitan Museum of Art in spring 2005. In her early works, Arbus brought out humanity in her subjects and coaxed out their personality. Sontag says that â€Å"Anybody Arbus photographed was a freak,† citing, as one of several examples, a boy waiting to march in a pro-war march wearing a â€Å"Bomb Hanoi† button. This earnest young man is definitely not a freak. The picture is of a naà ¯ve, fresh-scrubbed boy, rather typical of the 1960s, and shows the young man as he is. No doubt he is shown as ignorant and absurd in his act of wearing the Bomb Hanoi button, but he cannot be considered a â€Å"freak,† when the truth is that many Americans, sadly, supported the Vietnam War. One of the best pictures of Arbus is â€Å"The 1938 Debutante of the Year at Home, Boston, 1966,† a picture of an extremely privileged woman well into the transition from middle age to seniority smoking in her bed. Every pore of this woman exudes privilege, captured in astonishing clarity by Arbus, a perhaps unequaled master of technique (Dolack, 2006). This woman would not have considered herself a ‘freak’. Another photo that Sontag did specifically mention is the â€Å"human pincushion† of New Jersey, a middle-aged man who, while demonstrating his specialty, nonetheless is very proud. The privileged once-debutante and the circus performer are both comfortable with themselves and thus in front of the camera.Also evident in her attack on Arbus is the fact that Sontag considers the aim of a photograph is to make something beautiful. Well, one can disagree with this statement. A photograph doesn’t necessarily make something beautiful. Consider, for example, Garry Winogrand’s picture of a legless veteran surrounded by pedestrians on a busy New York street. It’s a very strong picture, compelling and well-made. Yet, the ugliness of that man’s situation is not only exposed but amplified. Then consider Winogrand’s picture of a black man looking at a rhinoceros in a zoo – the animal’s horn is missing and what’s left in its place is ugly and disturbing, as is the recognition seen in the man’s face. Thus, two photographers whose work quickly refutes S ontag’s contention are Robert Frank and Garry Winogrand. There are several others. Arbus explains: â€Å"Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma. They’ve already passed their test in life. They’re aristocrats.† These words show clearly that Arbus’s personal and intellectual attractions to oddities of nature and society convey a responsiveness that is also a sense of responsibility (Schjeldahl, 2005).Thus in the essay â€Å"America Seen through Photographs Darkly† Susan Sontag makes some intellectual observations and some controversial statements. While it is true that realism in American photography has been mystifying to a certain extent and every person is given importance in a photograph, it is false that there have been no photographers who understand the meaning of making a photograph ‘literate, authoritative and transcendent† Sontag is false in her claim that photographs should aim to capture the beautiful; – and false in her attacks on Arbus. Susan Sontag Essay Thank you for reading this Sample!

Anatomy and Physiology Lab Report Essay Example

Anatomy and Physiology Lab Report Essay Example Anatomy and Physiology Lab Report Paper Anatomy and Physiology Lab Report Paper This document is not meant to be a substitute for a formal laboratory report. The Lab Report Assistant is simply a summary of the experiment’s questions, diagrams if needed, and data tables that should be addressed in a formal lab report. The intent is to facilitate students’ writing of lab reports by providing this information in an editable file which can be sent to an instructor. Purpose: What is the purpose of this exercise? The learn about the different joints our bodies consist of and how those joints help our bodies function and move. Are there any safety concerns associated with this exercise? If so, list what they are and what precautions should be taken. Exercise 1: Questions As you observe the skull, explain how the structure of the sutures between the cranial bones is related to the overall function of the cranium. The sutures help hold the cranial bones in one piece, because they are almost interlocking the bones are able to snap together and make what almost seems like a solid piece of bone. Why are synarthroses an important component of fibrous joints? Synarthroses joints are used for functionality and are immovable which works perfect for fibrous joints which in most cases do not want or need to be moved. Exercise 2: Questions Cartilaginous joints exhibit amphiarthroses. Why is this important? Amphiarthroses joints are slightly moveable which works perfectly with cartilaginous joints because where cartilaginous joints are located, such as the top 5 ribs, need to be somewhat flexible. Structurally, how are cartilaginous joints similar? They are all slightly moveable and a piece of cartilage connects the bone ends, Exercise 3: Questions Which type of synovial joint has the least amount of movement? The gliding joint such as the joints between the carpals and tarsals. Why are diarthroses important for synovial joints? Synovial joints must move freely and the diarthoses are the only joints that are capable of moving freely, allowing for all types of movement. Which synovial joint is most movable? The ball and socket joint is the most moveable joint in the body because of its ability to fully rotate. What are the four structural characteristics that all synovial joints share? A two layered articular capsule which helps create the joint cavity, inside the capsule is the synovial membrane which contains the synovial fluid, the articular cartilage covers the surface of the bones forming the joint and ligaments that reinforce the capsule. Exercise 4: Questions Which of the body movements was the most difficult to perform? Why? I suppose the hardest one to perform was the circumduction because it combines all the different types of movements including flexion, extension, abduction, adduction. Hinge joints like the elbow and knee have limited movement. Why are these types of joints more prone to injury? Because these joints accidentally being moved a different way can hurt the bone, cartilage and or ligaments. When performing flexion on the arm, the biceps muscle (on the anterior of the arm) contracts. What happens to the triceps muscle (on the posterior of the arm) as this action is performed? I don’t feel that it does anything, so i suppose it just relaxes, when performing extension I can feel the triceps get tight. Both the shoulder and the hip are ball and socket joints. Why does the shoulder have a greater range of motion than the hip? The hip joint is much deeper set than the shoulder joint, the hip joint also contains strong ligaments and thicker muscles surrounding than the shoulder, the shoulder is meant more for mobility whereas the hips were meant more for stability. Exercise 5: obseRvations Sketch your chicken wing: Label the bones, muscles, tendons and joints. Questions What effect will the tearing of a tendon have on its corresponding muscle? Muscles are attached to bones through tendons, if a tendon is torn it will not be able to allow the muscle proper movement and flexion. Why are ligaments harder to heal than tendons? Ligaments are harder to heal because they have less blood supply than tendons Compare and contrast tendons and ligaments. Bones are attached to other bones by ligaments and muscles are attached to bones by tendons. Ligaments and tendons are made out of dense connective tissue, but ligaments have better vascularization. Both ligaments and tendons provide support and stability for synovial joints. What is the function of fascia? Depending on the type of fascia depends on the function it serves. But the main function when comparing it to tendons and ligaments is that it is a connective tissue that surrounds muscles and other structures while holding them together. What effect would the loss of articular cartilage have on a joint, its bones and their corresponding muscles? The joints would rub together causing grinding and friction and not allowing the joint to smoothly glide over each other. Because of the friction, the muscles will become over worked trying to compensate for the loss of smoothness. Conclusions Explain how skin, bones, and muscles are related to each other.Why is this  relationship important to the understanding of the skeletal and muscular systems? Slowly as this class goes on we realize that every part of our body is connected. Our muscles are connected to our bones, and our skin covers all of our muscles. Each work together to keep a stable living environment for our bodies. The homeostasis of our bodies are dependent on each function working properly and well together.

A cross cultural management study on Toyota

A cross cultural management study on Toyota The aim of this paper is to identify what role culture has played in the organizational structure and management technique of Toyota. Toyota is now the world’s leading automobile industry, knocking out rivals car maker; General Motors (Marr, 2009). The Toyota Motor Company was established in 1937 and 30 years later it entered the US market in 1967. By 1980, the company already had about 20% of the US car market as the indigenous car companies started experiencing customer dissatisfaction. The company based its entrant strategy into the US on the following; Fuel efficiency as compared to ‘gas guzzling’ American cars Environmental friendliness Superior build quality The introduction of the luxury-car line The real reason for the company’s success nevertheless was based on the introduction of Japanese style of production, operation and management. According to Liker and Morgan (2006), management principles must extend beyond the shop floor as they do at Toyot a. The ‘Toyota Way’ is a set of standards that harness the Toyota (Japanese) culture. These standards are applied by the Japanese in virtually all their dealings. Although they are moderate by nature hardly showing emotions, they are still very thorough and they apply the successful cultural traits in almost everything they do. The most important aspect of Toyota America is the techniques the company has used to stay successful given the obvious cultural differences between Toyota Japan and its biggest foreign subsidiary. The Japanese and the Americans have distinctly different business cultures however; the company has been able to work in harmony for decades. The major differences are; communication skills, winning attitude, methodology of maintaining strategies etc for both the countries – Japan and United States. Thus, we can say that while establishing a new company in host country culture is highly important. HOME-COUNTRY BUSINESS VALUES (JAPAN) Managerial Autonomy and Long-term Planning Very often, Japanese employees are engaged to the companies for ‘lifetime employment’. It is therefore probable that managers are not pressured to meet requirements financially and employee related. Corporate Rigidity and Hierarchy Japanese companies like Toyota are very hierarchical in nature and as such have distinctive and autonomous power bases. The roles of top managers are defined and incline towards strategic development of the company. The business unit managers are the ones responsible for initiating and supervising new projects. Participatory Decision-making The practice of exploring ideas of employees by senior management is known as Nemawashi in a given project. The idea behind the Nemawashi is to obtain participation of all employees in the decision-making process. The Japanese style of management is a bottom-up approach as compared to the rather autocratic top-down style of management. HOST-COUNTRY BUSINESS VALUES (UNITED ST ATES) Low Context There is more or less an uncongenial nature of communication in American organizations. Expectations of employees are communicated in competency statements or the criteria of their performance. On the other hand however, the Japanese may be more contained in their communication. Individualism Employees and indeed managers in the United States are often defined by their personal achievements and place little importance in group achievements. Americans also do not place much value on trust as they are likely to engage in business with strangers not necessarily friends or family unlike their Japanese collectivist counterparts.

Successful Knowledge Worker Teams-Sheila Coursework

Successful Knowledge Worker Teams-Sheila - Coursework Example People and organizations adopt the Six Cs of Global Collaboration to enable them ensure they work together with their partners in different parts of the world. The three key factors of success for the globally distributed worker teams that I will illustrate are convergence, coordination, and communication. The goals and directives are maintained to be the same for all workers through convergence. A coordinated team ensures teamwork is organized as the team is kept up-to-date by communication. This paper will highlight convergence, coordination and communication as key elements that contribute to the success of knowledge worker teams. The ability of every team member to keep a clear purpose and shared priorities is what is considered in this case. Convergence is among the factors that are considered as the key elements that contribute to the success of knowledge worker teams distributed around the world. There are various reasons why one would be persuaded to ensure his or her team is convergent. The first reason is the fact that clear purpose among the team players is ensured through convergence. The objectives of each member involved in the team are usually directed to one clear goal same as that of the team. Every team leader wants to see his or her team working on one main objective of the team (Cochrane, 2014). Lack of deviation from the goal of the team puts the workers focused towards good performance. Therefore, every team leadership advocates for convergence of the relevant stakeholders of the team. Another main reason why convergence is critical for the success of knowledge worker teams is the fact that when the team is converged it will have shared set of priorities among the members of the team. It is important to have similar priorities as a team since the destructions that cause delayed performance can be avoided (De Felice, 2013). For example,